“I made an alternate double neck joint for my Rubenesque model. It’s another double joint I’ve been wanting to experiment with for a while now. It allows for a much more dramatic range of motion and a more sensuous body language, but as with any joint, it creates a visual break into the body.
I think that the clavicle region of our bodies is very sensuous and erotic, and therefore very important to the overall sensuality of the doll. Messing up the subtlety of the clavicle may render the whole doll lifeless. So, I tried to negotiate the articulation and the form of the double neck joint in the most attractive way possible, and I like the way the doll looks and ‘plays’ with this expressive neck.
In the end, everything is a give-and-take in this world. You gain some and you lose some. And why not, as long as the gain is worth the loss? For me, it almost always is. But I suppose it’s all about carefully calculated risk-taking.”